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On the other hand there are also those directors whose move into features also saw a shift into live action, as was the case with Frank Tashlin, the Brothers Quay, Walerian Borowczyk or Zbigniew Rybczynski
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Actually, Walerian Borowczyk's feature debut,
Le Théâtre de M. et Mme Kabal (1967), was entirely animated - so either Osmond hasn't seen it (understandable; I don't think it's had a video release in any medium, and big-screen outings over the last 30 years might well be in single figures), or he didn't rank it as high as his top 100 (equally understandable: it's a mixed bag, and Borowczyk's shorts are far superior).